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Acting

And in other News

If you’ll take a look at the Video page you’ll see an interview with me by Margaret Ledford who helmed the Engage@GableStage project, which has commissioned a series of projects. The short 15 minute film we’re talking about will be premiered exclusively at GableStage.org on Friday September 18th.

So… the focus of this blog… was acting and allied subjects… hmm… the issue, as I’m sure you understand, is that live theatre depends upon lots of paying customers in close proximity to each other and within breathing space of the stage…

No sign of that returning just yet.

In which case what shall we talk about? While you’re here please sign up for the blog so as to find out!

 

 

 

 

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Acting

The Bard Off-Planet

I will be guest speaker on Tuesday June 30th 2:30 pm Eastern USA/7:30 pm UK at:

Aquarius Rising: West of Scotland Astrological Association

My topic is:

Shakespeare was an astrologer

(Or if he wasn’t, he knew people who were)

Courtesy of The Birmingham Museums Trust, UK

Here is the blurb:

This talk is an astrological exploration looking at the chart of the Bard and his work. For example, it’s well known that the seven ages of man speech in As You Like It takes us from the Moon through to Saturn in order of orbital period. But did you know that there is a Jupiter signature in The Tempest, or a Saturn one in Romeo and Juliet, or that Sonnet 15 echoes the Duke’s speech at the top of act 3 in Measure for Measure? Mars figures in all the history plays, and A Midsummer Night’s Dream is as lunar as it gets. Shakespeare was at home in the solar system and he wrote the plays to prove it! 

If you’d like to attend as a guest (no need to join the group although you are welcome if astrology is an interest), here is the zoom link and the date again is, June 30th 2:30 pm Eastern USA/7:30 pm UK https://us02web.zoom.us/j/82665096141

They do ask for a donation of five quid!

See you there!

Categories
Acting

Funny How the Immune System Works

Even the most reclusive of us must be aware that there really is nothing funny about what is going on at large in the world at the moment. However medical authorities from The Mayo Clinic onwards recommend giggling, sniggering and laughing as a great tonic, so whether appropriate or not at this time of trouble, here goes…

Sir Thomas Beecham the conductor, is on record as saying, “If I was Prime Minister I would require every man, woman and child between the ages of eight and eighty to sit down and listen to Mozart for a quarter of an hour every day for five years.” Bearing in mind recent Prime Ministerial performance one can think of worse edicts.

For the literary equivalent I nominate the works of P G Wodehouse. To name him in full, Pelham Granville Wodehouse. He chose to be known to family and friends as Plum – and who can blame him?

The daily application of one chapter of P G Wodehouse read aloud has given great results so far in our household. And here’s a thing; being as the man was afflicted with as unrelenting a work ethic as any three or four twentieth century writers put together, there is for practical purposes a more or less unlimited supply of his work. He wrote some ninety novels, about two hundred short stories, as well as plays, musicals, and film scripts.

Right about the cusp of the last third of his lifetime, i.e. a few months before he was sixty, he was interned by the German army and spent almost a year in confinement in various locations ending up in what is now part of Poland with other men deemed to be of fighting age. Of the location he wrote, “If this is Upper Silesia, one dreads to think what Lower Silesia is like.”

And then he made a breathtaking mistake for which he paid dearly for the rest of his life. He agreed to make five radio broadcasts for the Germans. This was in 1941.

The content of these broadcasts was gently satirical, here’s a brief excerpt from the first:

Young men, starting out in life, have often asked me “How can I become an Internee?” Well, there are several methods. My own was to buy a villa in Le Touquet on the coast of France and stay there till the Germans came along. This is probably the best and simplest system. You buy the villa and the Germans do the rest.”

The full text of the five broadcasts with a bullet point account of what happened to Plum during the war can be found here: https://www.pgwodehousesociety.org.uk/wartime

Agreed to…? The evidence is that he was tricked into it. I also reference here a wikipedia article which gives a full and detailed account and a youtube video which has a brief excerpt from a sympathetic film featuring Tim Pigott-Smith and Zoe Wanamaker as the Wodehouses, with she confronting him. The full film, Wodehouse in Exile, used to be available on youtube, I hope it’s still around somewhere.

What did this sorry event cost him? Well, after decades of high earning success, Plum was instantly reviled in the war-time British press as a traitor, investigated by the British secret services, and driven into self-imposed exile in the USA never to return to his beloved England.

His work however, remained enduringly popular. Jeeves and Bertie Wooster appeared on television in the 60s personated by Ian Carmichael and Dennis Price, later revived by Stephen Fry and Hugh Laurie. There are adaptations and recordings of other parts of his oeuvre, although few of his other creations – among them, Psmith, Ukridge, Mr Mulliner, The Oldest Member, Lord Emsworth, Sally… achieved quite the prominence of the aforementioned double-act.

Plum was granted a final rehabilitation in British national opinion with a knighthood in the Queen’s New Year’s Honors List 1975 (just about six weeks before he died), but was at that time too frail to travel back to his native land to receive it.

Since the end of the Second World War, Wodehouse has been defended in print and on screen by such diverse apologists as George Orwell, Anthony Lane and Stephen Fry. Isaac Asimov in a foreword to a collection of Plum’s work admits to a forty year ambition – to dine at the Drones Club. The late Tim Pigott-Smith stoutly defends Plum as a harmless old duffer completely unaware of the consequences of what happened.

I agree with Tim Pigott-Smith. Apart from Plum’s peculiar innocence, it would be hard to find a more patriotic man at heart.

I have been laughing on the borderline of total loss of control at Wodehouse’s work since I discovered him just over fifty years ago, (I’m sixty-two as of this writing). Back then I had to stuff my mouth with a sheet so as not to wake the rest of the household when I was reading at night.

I once played this comic hero of mine in a play called Plum by Roy Smiles. This was in Christchurch, New Zealand in 2014.

All of this is a long way to get to why I’m posting this. As Plum might have put it, “The essayist with points to make or history to include, must get on with it or he will fail to grip and his audience will soon drift away to the bar for a second Gin and Tonic.”

A quick glance at the search engines says that laughter is generally acknowledged to be a great tonic with benefits to the immune system. These days I take a home-made folk-recipe anti-viral tonic: equal parts garlic, ginger, lemon and manuka honey. But I reckon a daily dose of Plum and his laugh-riot prose boosts my immune system just as much or more. As people who write references based on the resumes of job applicants, “I have no hesitation in recommending him to you.”

Evelyn Waugh puts it rather better, this quote of his was for many years on the back cover of all Penguin editions of Wodehouse: “Mr Wodehouse’s idyllic world can never stale. He will continue to release future generations from a tyranny more irksome than our own.” Isn’t that a sentiment that feels strangely apt just now?

If you’re new to Plum and his works, start with Bertie and Jeeves and go from there!

That’s me as Plum on the left.

That’s the real thing on the right

Oh, and should it amuse, there’s an astrological view on Plum and his wartime misadventures here.

Categories
Acting

Just On The Off-Chance…

It’s May 1st 2020. The first day of spring in the northern hemisphere, and the Celtic festival of Beltane. Sadly there won’t be much dancing around the maypole this year.

Meanwhile what is to be done during this indoor time?

I have turned to the unread books on my shelves, attempting to turn them into books that have actually been read. Stop me if I’ve quoted this before but it is á propos:

“The sight of a lot of books fills me with the desire to read them, which sometimes turns into the belief that I already have.” Kenneth Clarke

One such volume is a collection of interviews with writers from Dorothy Parker to Earnest Hemingway, all first published in the Paris Review, under the cunning title The Paris Review Interviews. It includes an encounter with Kurt Vonnegut. The transcript was collated and edited by Vonnegut himself from four separate interviews conducted over a decade. It is actually Vonnegut interviewing Vonnegut.

No one has approached me for an interview at this point and I’m not expecting anyone to do so. But in these changing times maybe it would be a good idea to prepare something … just on the off-chance?

So I have decided to follow Vonnegut’s example. He is a writer I admire very  much. His story, Report on the Barnhouse Effect (published in his collection, Welcome to the Monkey House) is a thrilling anti-war piece. And Who Am I This Time?, gives the inside scoop on the psychology of actors.

Here is a brief excerpt of the auto-interrogative to which I refer any hacks who may be desperate for content:

INTERVIEWER

Colin McPhillamy welcome and thank you for taking to us today.

McPHILLAMY

That’s my great pleasure.

INTERVIEWER

What are you doing with yourself at the moment? Take us through a day.

McPHILLAMY

Ah! The easy questions first eh? … Well it’s hard to say.

INTERVIEWER

Please try. There may well be as many as one or two people (give or take) out there waiting for an answer that makes sense.

McPHILLAMY

Sense!?! At a time like this? Good luck with that.

INTERVIEWER

Talking of time, those of us under lockdown have more of it on our hands than usual at the moment.

McPHILLAMY

Yes, but it’s always NOW. You’ve read your Ram Dass*, right?

INTERVIEWER

Indeed. What would we do without the eternal verities? But, let me ask, have you, for example, considered starting a podcast?

McPHILLAMY

Oh yes, definitely. My constant thought.

INTERVIEWER

I see. Commendable.

McPHILLAMY

Along with learning Tibetan, re-reading Quantum Physics for Dummies (I only got to page four last time), and starting a community composting initiative. Haven’t actually… you know…

INTERVIEWER

But it’s on the list?

MCPHILLAMY

Well … the truth is … that might be pitching it a bit strong.

INTERVIEWER (changing tack)

Do you watch the news?

McPHILLAMY

I ration my intake … the trouble is…  if I watch more than three minutes at any one time I start to develop psycho-somatic symptoms.

INTERVIEWER

But it’s important to keep up with what our leaders are saying and doing, don’t you agree?

McPHILLAMY

I plead the fifth …

INTERVIEWER

That’s the sort of answer a right merchant banker** might make… isn’t it?

(N pages deleted here: editor)

INTERVIEWER

It’s been a lot of fun talking to you.

McPHILLAMY

Speak for yourself.

Ram Dass*: the late spiritual teacher, known in some circles as a cross between Gurdjieff and Woody Allen. Born Richard Alpert, sometime colleague and psychedelic experimenter with Timothy Leary. Wrote the 1970s best-seller Be Here Now.

Merchant banker**: obscure reference to cockney rhyming slang.

Categories
Acting

Actor to Offstage Prompter: “Line…!?!”

It’s a calendar month since they closed down Broadway, and I have been thinking about Death. If that’s too morbid for your taste, you may want to skip this one.

The great sorrow in the present crisis is that the terminally ill are dying alone without comfort of friends or loved ones. So amidst all this terrible tragedy, appalling inconvenience, and ongoing uncertainty, I have wondered lately, occasionally, about a good last line, albeit that if one were about to cross the rainbow bridge, there’s every chance that no one would hear anything you might say…

Nevertheless, as an actor it would simply be embarrassing to arrive at the final moment and have to ask for a prompt. And with the current global challenge, including the prospect of death – the possibility at least, should you happen to inhale the wrong person’s sneeze – doing what Doctor Johnson back in the 18th century said said it did (focus the mind) – what an opportunity to get something down on paper.

Coming up with words that might endure in anyone’s memory more than an hour or two is a tricky proposition though. A sample of some very witty utterances already made includes:

“It’s been a long time since I had champagne.” Anton Checkov – Russian playwright

“This is where the fun begins.” Ben Travers – British playwright

“On the contrary.” Henrik Ibsen – Norwegian playwright

Last words can be very telling in terms of the speaker’s character. A person of high moral probity might say, along with Socrates, “Crito, I owe a cock to Asclepius, will you remember to pay the debt?”

With an eye to a laugh, “This is no way to live.” Groucho Marx

Somewhat dissatisfied with the set, “I knew it! I knew it! Born in a hotel room and, goddamn it, dying in a hotel room.” Eugene O’ Neill – American playwright.

Do you agree with me that Death is the great taboo these days? Where once no one dared mention sex in polite society, or in some cases money, these days to talk about death at a dinner party is to be struck off future invitations.

And that can be no surprise when the prevailing culture, in America at least, takes the view that death is optional, and that with a reverse-mortgage and the right medication (notwithstanding those side-effects given in husky voice-over against bucolic scenes of happy family barbecues in television commercials). This is madness, the idea that the inevitable appointment with the “fell sergeant” can be indefinitely postponed, defies all logic, experience and evidence.

But we seldom talk about the universal leveler with each other, let along how best to go about it. Many of us find it deeply upsetting even to think about it. But how is it sensible to go fearful or ignorant to that which awaits us all?

If one were looking for advice, albeit of a markedly sombre tone, there’s the Duke’s speech to Claudio Act 3, scene 1 of Measure For Measure which begins, “Be absolute for death, and either death or life shall thereby be the sweeter…”

Or there’s Elizabeth Kubler-Ross’s book, On Death and Dying

Or there are Dr Peter Fenwick’s youtube videos.

And although I certainly have no empirical proof, apart from the vivid memories of loved ones who’ve gone before, I tend to agree with His Holiness the Dalai Lama’s assessment, “Change of clothes.” One hopes.

Talking of metaphysicians who flirt with the intangible: there’s at least one of Nostradamus’s prophesies that was correct in every detail. On his deathbed he said, “Tomorrow, at sunrise, I shall no longer be here.”

And for an epitaph what could be better than Spike Milligan’s“I told you I was ill.” engraved on his tombstone.

Returning to the problem of the last line. If one were minded to die with one eye on publication, I offer a few generic options here, mainly for actors:

“The Great Stage Manager in the sky is calling places (beginners/UK)”

“If I’d had just one more rehearsal, I’d be playing this differently.”

“How about a round (of applause) on this exit?”