Categories
Acting

It’s Been An Interesting Summer

The Dresser by Ronald Harwood, opens December 18th 2024 at Palm Beach Dramaworks in West Palm Beach, Florida

There are parallels between the practice of theatre and the practice of astrology.

“Oh yeah?” I hear you cry. “How does a planet or the stars in the sky correspond to the life of some out of work actor?”

Image courtesy of Unsplash

This is a valid question.

Consider: an actor gets a role. The parameters of the role are defined by the script. The expression of the role is guided, sometimes obstructed, but certainly shaped by a director. Within those limits the actor is free to make choices, to interpret.

My Lear will be different from your Lear. (well, one hopes).

AI generated image courtesy of Pixabay

Consider: We come into incarnation – a fancy way of saying we get born. And the mystery begins. Because: where have we come from?

Plato has it that the natural habitat of each human soul is one of the stars above and that we pass through each of the planetary spheres acquiring the qualities of that particular planet and its placement in the zodiac at that moment. We take on the costume for this incarnation and the script as written in the interplanetary potentials.

And in the play of life, with its exits and entrances, we can choose how we play the part. We don’t have ham it up.

And according to Robert Frost, Wordsworth, and particularly Shakespeare, we have all signed up for a round trip. The mighty seven ages speech from As You Like It exactly describes the progress of a life and the return. But return to what?

J B Priestly’s character Henry Ormonroyd put all of the above a lot more succinctly when he said (in When We Are Married)

“We all come here and we don’t know why. We all go in our turn and we don’t know where…”

Your blogger as Henry Ormonroyd, Guthrie Theatre 2008

My friend and sometime fellow student Maggie once said to me, “When I heard you’d become an astrologer I thought – Oh he’s lost it. … But then later I thought, oh no, he’s fond an angle.”

I have indeed lost it in the pre-Enlightenment mystery of the endless study that is astrology.

As for the angle, yes that too, Maggie was right. Though not in the sense she meant. The angle or rather the angles plural, are the horizons over which the stars rise and fall on a daily basis and which contain the clues to the weird and whacky interplay of pre-destiny and free will.

Still with me?

As part of my research into how to establish an astrological practice, I joined a networking group of holistic practitioners I’m here to tell you there is more woo-woo per square inch in Westchester, N.Y. than is commonly. suspected.

I have met some lovely people. Unsurprisingly perhaps in such a group every member is an empath – it’s almost like being with a bunch of actors.

But the point is I have been exchanging services with these people. I give them an astro reading and they give me – whatever it is they do. For brief accounts and testimonials go here.

And talking of Lear …

I have an up coming gig in West Palm Beach, Florida. I will go there in November to rehearse and then play ‘Sir’ in The Dresser. For those who don’t know the play, ‘Sir’ is a bombastic, self-obsessed old ham of an actor … and for some extraordinary reason they’ve come to me …???

In the manner of the late great Barry Humphries who proclaimed his “first farewell tour”, I’m intending this to be my last one for various reasons.

So if the stars should align, come to West Palm Beach. We open December 18th. Palmbeachdramaworks.org for details.

Categories
Acting Plays Theatre

Our Town Is A Play Like No Other

Alicia Donnelan
Alicia Donnelan

 

Part slice-of-life, part tone-poem, shyly spiritual.

I play the Stage Manager in Palm Beach Dramaworks’ production, a role like no other.

Well Paul Newman (whom I once had the privilege of playing for and meeting after the performance), and Spalding Grey, and Helen Hunt and numbers of distinguished others have played that Everyman, the Stage Manager. None of whom I am like. And yet we’re all actors.

And there is Dylan Thomas’s poetic masterpiece written in 1954, Under Milk Wood.

 

 

Do you know that poem by that good man of New England, Robert Frost, Trial by Existence?

Emiley Kiser and Joe Ferrarelli. Photo: Alicia Donnelan
Emiley Kiser and Joe Ferrarelli. Photo: Alicia Donnelan

And from a cliff-top is proclaimed

The gathering of the souls for birth,

The trial by existence named,

The obscuration upon earth.

 

 

 

But For sleight-of-the-eternal in the guise of the everyday, Our Town has it, I think.

 

Emiley Kiser, Joe Ferrarelli and the company. Photo: Alicia Donnelan
Emiley Kiser, Joe Ferrarelli and the company. Photo: Alicia Donnelan

What could be more quotidian than delivering milk or making breakfast or even getting married?

And what more metaphysical than:

Do any human beings ever realize life while they live it, every, every moment?

– No, the saints and poets maybe. They do some.

 

Memory, Presence, the Ephemera that is theatre, the forward march of time …

“Our birth is but a sleep and a forgetting …” — William Wordsworth

Or … “What’s that unforgettable line?” — Samuel Beckett

The company, opening tableau. Photo: Robin McGee
The company, opening tableau. Photo: Robin McGee

 

Kenneth Kay and Josh Stoughton. Photo: Alicia Donnelan
Kenneth Kay and Josh Stoughton. Photo: Alicia Donnelan

“Some say that the art of the theatre, born for and bound to the moment, must, like a soap bubble or nocturnal meteor, dazzle, then burst to leave no trace. Free yourself from this dark thought! The very fact that your art is a child of fragrance, of the spirit, of a mood, of personality and imagination, and not something of wood or stone, or even a thought fixed in black and white, but a sprite forever swinging free on beauty’s vine, the fact that it lacks tangible form, renders it immune to the gnawing of time’s worm. And that is what life truly means: to live in memory …. to rest in people’s minds free of the mildew and rust of age …. and this lot has been granted to you.” — Henrik Ibsen

 

Dan Leonard, Patti Gardner, Emiley Kiser. Photo: Alicia Donnelan
Dan Leonard, Patti Gardner, Emiley Kiser. Photo: Alicia Donnelan

 

“To live vividly in the memory of others seems to be a great thing. In terms of art, it always seems to me that there is something unique and electric about an artist connecting with an audience in live performance. The memory of these moments get parked in a different part of our mind. People speak of them with real reverence and clarity even many years after the applause has faded. To be remembered like that, in any aspect of life, is probably the nearest we have to time travel.”  Jonathan Pytell — pytell.com

 

 

“We all come here and we don’t know why. We all go in our turn and we don’t know where. And if you’re a bit better off, be thankful. And if you don’t get into trouble and make a fool of yourself, well be thankful for that, because you easily might.” — Henry Ormanroyd in When We Are Married by J B Priestly

The company at the funeral. Photo: Robin McGee
The company at the funeral. Photo: Robin McGee

Kudos to my fellow actors in our production like no other. Cast list here. It has been quite a ride. Company members have come and gone, rehearsals and performances have been fraught with incident. All borne with good humor and grace by that fine collection of human beings, the cast and crew of Our Town. Theatrical companies become families within three days. But in a company of this size we are a community.

The company. Photo: Alicia Donnelan
The company. Photo: Alicia Donnelan

“Backstage was chaos distilled into a very small space.” ― William Alexander, Goblin Secrets

Robin McGee
Robin McGee

Note to self: this is one where the less ACTING the better …

N.A.R. (No Acting Required)

— John Voight …

“The most exciting acting tends to happen in roles you never thought you could play.”

― John Lithgow …

“When you most succeed, you do so by seeming not to act at all.”

― Stella Adler, The Art of Acting