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Acting

Why Do Actors Never Look Out of The Window in the Mornings?

Because they need something to do in the afternoons.

 

But next month … Shakespeare.

Watch this space.

 

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Acting

Side effects may include …

We go to theatre and movies and tv for what?

We go for everything from entertainment to enlightenment, insight to instruction, diversion to diversity. But, let us be frank, we also go – to buy and sell …!

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Would you buy a deck of used cards from this man?

Frederick Pohl and C M Kornbluth co-wrote a predictive novel called The Space Merchants first published in 1958. For prescience I rank it with the great 20th century handbooks-of-the-future, Huxley’s Brave New World and Orwell’s 1984.

Pohl and Kornbluth’s book tells how super elite executives preside over all social, commercial and political processes, where the majority forms an underclass of enslaved, exploited, short-lived drones; where speakers of truth-to-power are a sidelined fragment punished without due process.

I had the good fortune to shoot a commercial recently. I’ve done half a dozen or so in my three and a half decades as a servant of Dionysus, and they sing charmingly sweet – I mean that for 9 hours work in one day, plus travel time, I was remunerated at almost exactly the rate of the total for two months of US regional theatre work. A similar ratio applies in the UK. – And this is at today’s hamstrung rates. Yes, the global trend of more work for less money applies as stringently amongst actors as anywhere we care to look.

I’d like to tell you about the shoot but no. I have signed a non-disclosure agreement. These amusing documents are becoming prevalent, which, in a forum of promotion is counter-intuitive to say the least. Suffice to say that if you scour the Internet over the coming months you may catch a glimpse of the author in role.

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User-friendly British guy with his friend Mystic-Bear. Tarot services.

In the same month, I have, as an American citizen, voted in the New York State primary. It wasn’t particularly easy. But then compared to some parts of the world it was a walk in the park, requiring only the merest determination and persistence. I registered with my party of choice, checked with the Electoral authorities that I was on their list and was told that they had never heard of me.

I asked if there was any remedy as the deadline for registration had passed. I was told I could go before a judge. Accordingly, the day of the poll, I was directed to and made stops at 5 counters and offices at the local courthouse before finding the correct one. Once there I filled in some paperwork that I had also previously completed, was granted an interview with the judge who told me that it was a busy day.

With a sworn affidavit in hand I went to the correct polling station, completed another set of similar paperwork and finally exercised my democratic right. I heard on the radio that the Attorney General’s office had received 4 times as many complaints of registration irregularities as in 2012.

We know from the new double-speak, that any inference of causal connection between executive control and the dwindling of democracy is radical, liberal, extremist and (worst of all) socialist.

None of these labels apply to your author. No, no, no … All I will say is that I confidently expect an award for best side-effect sometime soon … Meanwhile, is it surprising that actors line up for the chance to go crazy in public about somebody’s toilet paper and other goods?

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Acting

How Does He Do That … ?

It was very nice to see actor friends Raye Birk and Bob Davis, from the Guthrie with Mark Rylance in Nice Fish at St. Ann’s warehouse in New York.

You know the old chestnut about scientists once proving that bumble bees couldn’t fly?

Well from a reductionist world-view perspective Mark Rylance is to acting as a bumble bee is to flight. In other words, on paper, from an engineering point of view, he shouldn’t fly …

Mark Rylance

It may seem ungenerous to say it, but although his face shows character, knowledge, wisdom even, he is in the classical sense, as the saying goes, “No oil painting”. Don’t get me wrong, he knows how to be attractive, but isn’t it the form amongst Oscar winners of both genders an improbably high level of good looks? And vocally … Rylance has a trained voice and an expert technique, but it’s not, as one critic said of Eleanora Duse, “like listening to a rose petal”. Off stage he appears taller than on.

But he does. The man flies.

There is a centered sensitivity about his work … an oblique observational lens … a human understanding of the conditions … a quotidian magic … It’s kind of hard to describe, so those words will just have to do …

Nice Fish is a storytelling piece structured around the prose poems of Minnesota poet, Louis Jenkins. The production is full of invention and humor, and, it appears to be about that niche activity — ice-fishing?!?

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Acting

Tales From The Backstage

Flyer Design by Samantha Mighdoll
Flyer Design by Samantha Mighdoll

“Get yer Albatross!!!”

When I was twelve I was taken to see Charley’s Aunt in the West End of London. After the show we went backstage.

The stage doorkeeper announced us as visitors. We had to cross the stage to get to the dressing room on the other side, and I had my first view of an auditorium from an actor’s point of view. All those seats upholstered in red velvet. They were empty now, but only ten minutes ago had been full of people laughing. How could I get from out there to up here?

It’s a question that has never left me.

The set was latticed windows and ivy on stone walls. But the walls were facades, braced on wooden struts, held by stage weights. We crossed into the dark of the wings, and I caught a whiff of that unique backstage aroma, the mix of size (that they used to use to seal the canvass), tea (this was England), and sweaty humanity. Then into the warm glow of a dressing room. The naked light bulbs around the mirror and good luck cards and flowers. There was a small towel on the counter and sticks of greasepaint laid out neatly upon it and all kinds of cosmetic equipment. The place went into soft focus, like some moment-of-destiny scene from the Golden Age of Hollywood.

I was introduced to the middle-aged actor that we had just seen running around at full tilt in the show, chasing Donna Lucia D’Alvadorez, the lady from Brazil (where the nuts come from). He seemed calmer now, jolly and friendly. He shook my hand and uttered some powerful words, “So you want to be an actor?”

That washed over me like an electric tsunami. I flushed beetroot red. I couldn’t speak. I just nodded. But I knew that I had to find a way to involved.

I’m at Dramaworks at the moment playing Hector in The History Boys until January 3rd. It’s an excellent production with a fantastic company. In Tales From The Backstage it’s as if Hector breaks out!

If you’re around in West Palm Beach on Tuesday 29th December at 3pm and at a loose end, come on over to Dramaworks …

Tickets here

 

Categories
Acting

New York, I Love You. But We Needed A Break.

Great extra perspective from one of our Boys!